How does the camera interact with one's sense of past and future, personally and collectively?
Chih-Chien Wang
- Associate Professor
- Department of Studio Arts
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Deanna Bowen
contemporary art, Black Canadian history, institutional critique
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Michael Yaroshevsky
cinematography, photography, perception
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Cheryl Simon
contemporary art, globalization, media arts
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Lorraine Oades
material culture, performance art, DIY
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Hannah Claus
contemporary art, Kanien'kehá:ka, installation
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Mitch Mitchell
identities, storytelling, trauma and resilience
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Juan Ortiz-Apuy
sculpture, installation, material culture
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Jessica Auer
photography, cultural history, landscape
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Velibor Božović
photography, other lives of the photograph, historical memory
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Raymonde April
autofiction, afterlife, storytelling
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Aaron McIntosh
identity politics, quilting, gay sexuality
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Nicolas Renaud
Indigenous cinema, Huron-Wendat Nation, Indigenous ecology
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Jaret Vadera
perception, cultural and social change, radical imaginaries
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Anthony Synnott
masculinities, gender and sexuality, beauty
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Philip Szporer
perception, embodiment, movement
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Christopher Moore
humour and parody, playfulness, social transformation
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Marisa Portolese
portraiture, women's studies, storytelling
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Laura Endacott
visual culture, contemporary art, relational art
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Monika Kin Gagnon
Expo 67, ethnocultural diversity, memory
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Bianca Grohmann
consumer psychology, branding, gender
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Matt Soar
research-creation, cities, material culture
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Tagny Duff
viral media, biomedia, vitalities
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Marc Lafrance
masculinities, skin, human body
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Ronald Rudin
public history, French Canada, oral history
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Mary di Michele
'langscape', memory, creative writing
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Beverley Best
capitalism, international political economy, globalization
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Cynthia Quarrie
British literature, contemporary literature, ethics
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Evergon
self-portrait, photography, gay sexuality
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Zeynep Arsel
material culture, representation, consumption
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Stephanie Bolster
ekphrasis, the lyric, poetry
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Terence Byrnes
photography, portraiture, posing
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Valérie de Courville Nicol
subjectivity, emotions, representation
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Danielle Bobker
British literature, 18th century, Restoration
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Cilia Sawadogo
animation, cinema, film/media production
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Kit Brennan
playwriting, narrative, storytelling
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Krista Geneviève Lynes
gender and sexuality, migration studies, media arts
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Noah Drew
voice, acting, voice training
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Kate Sterns
creative writing, writing fiction, anatomical waxworks
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Donato Totaro
moving image studies, temporality, horror genre
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Kamila Sobol
consumer behavior, identities, advertising strategies
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Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
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Norma Joseph
religion and gender, Judaism, food studies
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Rhona Richman Kenneally
food studies, built environment, material culture
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Emanuel Lowi
Inuit, Indigenous studies, contemporary Indigenous politics
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Razan AlSalah
media arts, critical geography, Palestine
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John Potvin
modernism, fashion studies, interior design
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Linda Swanson
ceramics, materiality, temporality
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Cynthia Girard-Renard
visual arts, social justice, poetry
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Florence Figols
dance creation, perception, embodiment
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Alisi Telengut
research-creation, under-camera animation, post-human critical theory
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Julie Soleil Archambault
African studies, youth culture, urban/rural studies
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Mat Karas
ceramics, craft, clay
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Cáel Marcas Keegan
gender and sexuality, moving image studies, popular culture
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Antonia Hernández
spatial media, poetics of governance, digital cultures
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Erika Adams
print media, textuality, collective creation
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Stefanie Duguay
networked publics, social media, gender and sexuality
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David Jhave Johnston
digital poetry, poetry, media arts
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Anna Sheftel
oral history, historical memory, trauma and resilience
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Lisa Ndejuru
Black wellness, arts in health, trauma and resilience
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Jessica Bardill
Indigenous literatures, Indigenous knowledges, storytelling
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Marianna Marta Milhorat
film/media production, experimental cinema, cinema
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Lilia Mestre
dance dramaturgy, choreographic practice, choreographic composition